Bad Tally
In 'Bad Tally,' I dive into the tension between spontaneity and structure, aiming to create a piece that flows naturally while maintaining a cohesive visual framework. Painted with acrylics on board, the work features a striking contrast between a fiery red upper section and a deep blue lower half, reminiscent of a sky ablaze at dusk over land shrouded in shadow.
The bold yellow rectangle serves as a focal point, representing a golden doorway—or perhaps a hole dug for a grave. This element introduces themes of transition, opportunity, and the duality of beginnings and endings. Meanwhile, the white horizontal lines evoke the image of a shattered train track, suggesting a journey or passage. They also resemble a tally count, hinting at records or memories—maybe even errors or miscounts, aligning with the title 'Bad Tally.'
This piece reflects a complicated and problematic time I experienced in France. By trying to make as few conscious decisions as possible, I allowed the elements to emerge organically, throwing in components rather than meticulously planning each detail. This approach adds an element of authenticity and raw emotion to the work.
The ambiguity in the imagery invites you to delve deeper and question your own interpretations. Is the golden doorway a path to new opportunities, or does it symbolize something lost? Did the shattered train track lead somewhere meaningful, or is it a metaphor for uncertainty and the complexities of life's journey?
'Bad Tally' challenges the notion of perfection and embraces the imperfections inherent in both art and life. I’m not entirely sure what to make of it myself—whether it’s an honest expression or just a bit off-kilter—and that uncertainty is part of the piece's essence. It encourages contemplation and personal connection, leaving space for you to find your own meaning within it.
Summary:
Acrylic on plywood:
Size: 38cm x 28cm
In 'Bad Tally,' I dive into the tension between spontaneity and structure, aiming to create a piece that flows naturally while maintaining a cohesive visual framework. Painted with acrylics on board, the work features a striking contrast between a fiery red upper section and a deep blue lower half, reminiscent of a sky ablaze at dusk over land shrouded in shadow.
The bold yellow rectangle serves as a focal point, representing a golden doorway—or perhaps a hole dug for a grave. This element introduces themes of transition, opportunity, and the duality of beginnings and endings. Meanwhile, the white horizontal lines evoke the image of a shattered train track, suggesting a journey or passage. They also resemble a tally count, hinting at records or memories—maybe even errors or miscounts, aligning with the title 'Bad Tally.'
This piece reflects a complicated and problematic time I experienced in France. By trying to make as few conscious decisions as possible, I allowed the elements to emerge organically, throwing in components rather than meticulously planning each detail. This approach adds an element of authenticity and raw emotion to the work.
The ambiguity in the imagery invites you to delve deeper and question your own interpretations. Is the golden doorway a path to new opportunities, or does it symbolize something lost? Did the shattered train track lead somewhere meaningful, or is it a metaphor for uncertainty and the complexities of life's journey?
'Bad Tally' challenges the notion of perfection and embraces the imperfections inherent in both art and life. I’m not entirely sure what to make of it myself—whether it’s an honest expression or just a bit off-kilter—and that uncertainty is part of the piece's essence. It encourages contemplation and personal connection, leaving space for you to find your own meaning within it.
Summary:
Acrylic on plywood:
Size: 38cm x 28cm
