What i found particularly enjoyable about the various forms of printmaking were the processes themselves, although by no means all of them. I liked adding the ground to an etching plate but not so much the inking up, i loved grinding flat the surface of a litho stone but not the process of gumming and dusting and etching the surface, the delicacy of which always felt incongruous with the weight of the stone.
I had no dichotomy of thought with the silkscreen process. Admittedly, this was only true when using water-based inks - the requirements of cleaning up spirit-based inks were, to me, off-putting - but give me a sponge and a bucket of water to clean the screen and in my view, everything was perfectly in balance.
The images you see here are the first two screen prints i made. The first depicts elements of a cornish island owned by the wonderful atkins sisters on which my family and i used to holiday and the second, which includes the text ‘qui le voudrait d'une autre maniere’ (who would want it any other way) was possibly a celebration of womanhood, but its actual intended meaning has been lost to time.
In the next part of this blog series, i embark on a degree course in cheltenham…